Metal Gear: Best Songs, Ranked

metal gear is one of the most iconic video game franchises of all time. Directed by Hideo Kojima, the series encountered a plethora of beautiful moments, silly moments, and a wonderful set of music created for each game. Solid metal gear series. Music can be such a powerful emotional tool, and it’s something that metal gear take full advantage.

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All metal gear title has its unique sound, both on the soundtrack or on the score created specifically for the title. The series has no shortage of great music at all, and it’s almost impossible to fully recognize and appreciate every song in an article on the metal gear franchise.


ten The best is yet to come

Sung by Aoife Ní Fhearraigh, “The Best Is Yet to Come” symbolizes a turning point when played during gameplay, as Solid Snake makes the leap to 3D on PlayStation. The game represents that truly, the best is indeed yet to come.

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It is a beautiful piece composed of strong and angelic voices in Irish. The instrumentals complete the signature but remain mostly in the background. The song itself is an emotional, powerful and moving entity that belongs to the metal gear franchise.

9 It must be so

These metal genre songs fit perfectly into the cutting edge that accompanies Metal Gear Rising: Revenge. Raiden’s journey comes to its decisive conclusion with Senator Steven Armstrong. The fight itself and the ethos behind the pair is reinforced by the song “It Has To Be This Way”, which has become the subject of a few new memes.

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The song itself, produced by Jamie Christopherson and Logan Mader, and sung by Jimmy Gnecco, is more symbolic of Armstrong and Raiden than initially thought. The lyrics sing of an adversary and the need to fight, but through no fault of their own. This coincides with the philosophies of Raiden and Armstrong, their differences and the similarities that make them fight to the death.

8 I can’t say goodbye to yesterday

This vocal piece was performed by Carla White and produced by Rika Muranaka. Combined with the Felix Farrar Orchestra, the ears are blessed with a beautiful piece. It smacks of a Bond song, it’s dark and jazzy. It’s everything to expect in a nice, unspoken victory of spy and cool.

As the final theme of Metal Gear Solid 2: Sons of Liberty, it’s very reminiscent of lounge music. It has a strong oldies aesthetic and fits right into the game’s ending, an ending that changed due to the impact of the 9/11 tragedy. The last minute of the song consists of jazzy brass and piano playing, which gives a quiet ending to loud, deep playing.

seven Father and son

This instrumental piece designed by Harry Gregson-Williams symbolizes the first meeting, and the last, of the central protagonists of the game in Metal Gear Solid 4: Weapons of the Patriots. The two characters spurred conflict and resolution for the entire series. The meeting of Father and Son, the reunion of Big Boss and Solid Snake.

The music highlights the power of this moment, as Big Boss hugs his son and tells him to “Let it go”. The gentle plucking of the guitar strings and the power of the brass make this moment of emotion a superb moment. The beautiful dialogue between father and son is the perfect ending to the franchise.

6 The sins of the father

Donna Burke’s stunning vocals were key to “Sins of the Father”, a song produced for Metal Gear Solid 5: The Phantom Pain. The song was key to Phantom Pain’s release journey, as the lyrics were changed per trailer to add new clues to the game’s mysterious plot and who Venom Snake really is.

The song also features twice in the game, first when Ocelot and Snake travel to Afghanistan, and then when Snake and Skull Face finally meet. The loud voice can also be heard whenever Snake skips time with the Ghost Cigar. It’s a powerful piece of music, which fits perfectly with Phantom painthe darkest themes against nuclear war.

5 V came to

A song with maybe a double meaning, or more, “V Has Come To” was created by Ludvig Forssell. It features powerful instrumentals, those one would expect from a mighty and triumphant superhero movie from Hans Zimmer. The sound is perfect for metal gearthe legacy of iconic sound design.

The music is loud and happily takes on dark twists to tell listeners that maybe the sounds aren’t all they seem. The meaning of this song comes from the literal meaning that “V” came to metal gearas in the 5th main entrance, or perhaps the arrival of “V”enom Snake, the fifth snake.

4 love deterrence

Maybe the song with the least metal gear influence, Love Deterrence, or “Koi no Yokushiryoku” in Japanese, is a song performed for Metal Gear Solid: Peacewalker. It features Tara Strong’s Paz Ortega and has a strong J-POP influence.

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It’s a strange, but beautifully sung song, and a love song to boot. Featuring vocals by Nana Mizuki and lyrics by Akihiro Honda, the song is catchy, but not something Solid Snake would want to be caught listening to while hiding in a cardboard box on Shadow Moses.

3 MGS2 theme

The introduction of Solid Metal Gear 2, and the theme itself, is full of espionage and espionage influence. The modernized theme is still the franchise’s most iconic theme song and is making a comeback in future games. The song is fast and takes many sharp turns until the halfway point where it becomes slow and triumphant.

This wonderfully orchestrated theme by Harry Gregson-Williams is the culmination of metal gear music, and the crescendo of this theme simply sums up what frankness is all about, with power and determination for freedom and freedom.

2 split the sky

The vocal theme at Metal Gear Solid: Peacewalker, “Heaven’s Divide” has beautiful lyrics written by Akihiro Honda. It’s a nice continuation of Metal Gear Solid 3: Snake Eater, with many lyrics alluding to the events of the game that made Big Boss what it is. “Petals of white, fields of blanket flowing in tears of mourning,” is a wonderfully heartbreaking allegory for the showdown between Naked Snake and The Boss.

With the voice of Donna Burke and a panoply of instruments, the song fits perfectly into the metal gear series and brings a hopeful beauty to the series with its peaceful song. Peace Walker is considered a great metal gear title, which is due to a return to the platforms.

1 snake eater

Perhaps considered one of the most popular songs in the entire franchise, “Snake Eater” was the opening theme for Metal Gear Solid 3: Snake Eater. It’s distinctly James Bond, accompanied by powerful instrumentals and an angelic voice from Cynthia Harrell. With the song written by Norihiko Hibino, “Snake Eater” is nothing short of legendary and a key part of the franchise.

The song also plays during the ladder sequence, which makes the climbing segment, while lengthy, at least somewhat entertaining due to Cynthia Harrell’s incredible vocal highlights. It’s truly one of the best songs in the franchise and could easily be mistaken for an actual Bond song.

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Grace D. Erickson